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  • About Curt Sheller

    Curt Sheller and Curt Sheller Publications. A small (me, myself and I) independent, by choice, publishing company catering to the needs of musicians, guitar players and ukulele players worldwide with the resources and information needed to develop as a musician. Curt Sheller Publications was created by Curt Sheller (me) in 1995 and has been on the web since. I have over 40 years of playing experience and I have been involved in private music education for the past 20 years.   read more

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New Enhanced Recording Section of Site

The Recording section of my site has expanded and with new information. The information is broken into smaller, faster loading pages.

Topics and sections include the following.

Over the next several months as I start the recording my jazz ukulele trio CD. How About More Uke?. I’ll post any goodies ht I run a cross. I’m just finishing up the charts for the studio to save time, and time is money in the studio. I’ll post the charts to the CD page.

New Ukulele Clubs Posted

New clubs, ensembles and meetups posted the UkuleleCLubs.com and CurtSheller.com

Roman Numerals and Numbering Chords

Assigning numbers to the chords of a chord progression allow you to determine a chord’s function within a progression or song. Once a chord’s function is determined, comparisons to other like songs are possible and the scales to use for improvisation can be determined.

All music, western music based on the twelve note chromatic scale, come from scales. A scale is simply a collection of notes. Each note of a scale is called a scale tone or scale degree and can be number, based on it’s position within the scale.

Using the C major scale, the white keys of the piano, and a favorite learning scale in music. The notes are C D E F G A B C’.

Number each scale degree 1 2 3 4 5 6 7 8.


A scale can be extended up to the 13th for more advanced chords.

Chords are built from the notes of the scale. The most common way to build chords are to built a chord in thirds. To build the basic chords of a scale, take every other note of the scale and collect them into three note chords, or triads. The triads for a C major scale are: C Dm Em F G Am Bdim. For the chords we can number them I, II, III, IV, V, VI and VII. Classical music has a tradition of using lowercase roman numerals and the chord’s type for non major chords. I iim iiim IV V vim viidim. As all major scales contains the same chord type sequence of major, minor, minor, major, major, minor and diminished.  I drop the chord type for chords that are full diatonic to the scale. And use all uppercase roman numerals.

This is the basis for the Nashville Number System.

More information on the Major Scales and its importance in learning music visit my lesson, Introducing the Major Scale.

7 Effective Strategies To Get Your Music Noticed

Great posting at DiscMakers by RANDY CHERTKOW AND JASON FEEHAN

Although most bands would like to have the kind of budget to promote their latest album on TV, radio, and billboards, they are more likely to have just enough to print up posters for the next gig. And yet indies can get the kind of attention that major label acts get. You just need to plan appropriately and implement a few tried-and-true strategies.

Here are seven effective strategies to get you and your music noticed. Read more…

Direction in Music and the Strings of a Ukulele

Where are the top and bottom strings on a ukulele?

If you are referring to a person. The top is their head and the bottom is their feet. If you are referring to music. The top are the higher pitched notes and the bottom are lower pitched notes. When communication music, music terminology should be used.

One ukulele, the highest notes are typically played on strings one and two. With the lower notes on string three. And, string four if using a low tuning. In re-entrant tuning high notes can also be played on string four as is it pretty close in the range of string one. But, this is a more advanced technique.

So, the top strings of a ukulele are the strings closest to the floor. And, the bottom strings are closest to you head.

When referring to music we should use music terminology and not gravity, or orientation to the Earth. Top should refer to higher notes and bottom to the lower notes.

The same can be said of Up and Down. They should refer to direction in music. Up goes higher and down goes lower. Up is ascending and down is descending. Music only moves forward, never backwards. We, don’t play a musical passage  backwards. He is an earlier post on that subject.

The only exception that we can and should use with up and down. Is, when referring to the strum or stoke direction. This is gravity based as we are using our arm, fingers and hand to strike a string or strings. And, should be UP or DOWN.

This mis-commonication is very common with instruction on YouTube and even accomplished players sometimes don’t seem to know the difference.

A while ago I created a UkuleleLesson on this very subject.

www.curtsheller.com/members/lessons/basic/ULM-WhichWayIsUp.php

Blackbird Premiers First Ever Carbon-fiber Ukulele at 2010 NAMM Show

PRESS RELEASE

San Francisco, January 13th 2010-  On tour from Hawaii, the Ukulele first gained widespread recognition among stateside music fans at the 1915 Panama Pacific International Expo in San Francisco. Down-the-road and nearly a century later Blackbird Guitars is giving the Ukulele a 2010 reinvention with their proprietary hollow-neck, all-carbon fiber construction. This exceptionally loud and tonally rich instrument is as responsive as it is resilient and will inspire ukulele players to bring their music places no nice wood instrument should ever go—like the beach. The Blackbird Ukulele sets a new bar for a compact, lightweight, and tonally-satisfying travel instrument that is durable and immune to the humidity problems which impact its wooden counterparts.

The novel design of the Blackbird Ukulele was inspired by Blackbird’s Super OM, a small-body sonic cannon launched at the 2009 NAMM show. The iconic asymmetric form is evocative of a traditional Double-O design but in fact has a deceptively larger sound box complete with an off-set sound hole—a nod to tradition but which also serves to produce more bass and mid-range frequencies and volume particularly for a tenor-sized ukulele. Like all Blackbird instruments, it sports uni-body construction with a hollow neck and sound port at the headstock. This signature Blackbird feature allows the whole instrument to resonant for increased frequency response while solving the neck-heavy issues common among Ukuleles by reducing weight.

While carbon fiber is more acoustically efficient than wood, it is also much stronger and resistant to humidity.
“We made our name initially with the Rider travel guitars and in some sense the ukulele is the ultimate travel instrument. So as amusing as a composite ukulele may be, we wanted players to have a professional-grade instrument without ever having to worry about it.”, says Blackbird founder Joe Luttwak. The highly sculpted form is accented by a beautiful weave with a high gloss finish that undulates around various body cutaways for improved ergonomics and ultralight weight. The Blackbird ukulele will be available in Spring 2010 for a street price of $999 with electronics optional. The 2010 editions of world’s best travel guitars, the Rider steel and Rider Nylon start at $1499 and the ultralight full-size Blackbird Super-OM at $1899.
  • Exceptional Carbon Fiber strength and environmental stability
  • Tenor ukulele with more sonic presence
  • Asymmetric Acoustic Design® with off-set sound-hole
  • Hollow neck with head mounted Stereo Sound Port®
  • 3D sculpted back for improved comfort, access and strength

About Blackbird

Blackbird guitars was founded in 2005 to create a satisfying but durable travel guitar for taking out in the world. Non-traditional product design and development resulted in radically new directions and the resulting Rider travel guitar is now widely considered the best available. To date, Blackbird releases a new instrument annually with their trademark ‘Big Sound, Small body’ treatment. Blackbird Guitars are made by small team of guitar-makers in San Francisco in their workshop overlooking the bay. Advanced technology is employed to ensure the highest performance along-side traditional craftsmanship. Every instrument is professionally assembled and set-up by a master luthier.

CONTACT:
Joe Luttwak
415-706-0632
joe@blackbirdguitars.com
www.blackbirdguitars.com
NAMM booth 1302

Interview with Gerald Ross

Gerald Ross

Gerald Ross

Gerald Ross – Guitar, Ukulele, Lap Steel Guitar, Vintage Swing, Blues, Jazz, Hawaiian

Northwest Ann Arbor, Michigan’s King of the Hawaiian Steel Guitar

A UkeTone Recording Artist

What the critics say… Successfully blending the sounds of jazz blues and swing, Gerald Ross has created a guitar style uniquely his own. Whether he is playing jazz standards, popular favorites, delta and urban blues, Tin Pan Alley melodies, New Orleans rhythms or boogie woogie, it’s bound to be a delightful surprise to any listener.

Inteview with Gerald Ross: www.curtsheller.com/interview-geraldross.php

The Strumdingers of Shreveport

The Strumdingers of Shreveport ukulele club added to www.ukuleleclubs.com and www.curtsheller.com

The Strumdingers Ukulele Band was organized in 2007 by Musician, Singer and Uke Player, David Mathews. We are an open organization devoted to the education and enjoyment of ukulele music. We practice (weekly), play (for anyone who will listen), and perform (often) for area assisted living facilities, nursing homes, church groups, and for people who know that music makes for a happy soul.

Pick Style vs Finger Sytle on Ukulele

Having come to the ukulele from a background as a pick style jazz guitarist, with limited fingerstyle or finger picking chops. I can offer some insight into pick style. I’ve also develop a finger style technique on ukulele over the past few years.

As the uke has traditionally been mainly a rhythm-chord instrument played without a pick (we’ll ingore the felt pick). As soon as picks or pick like techniques are used comparisions to the guitar are drawn.

For fast single note runs as well as double stops passages. Ukulele players use their thumb. Jake Shimabukuro uses his thumb like a flat pick for fast single note runs. He uses the same tech that a virtuoso guitar player might use, picking motion from elbow. He also has the fingerstyle–picking down.

Many virtuoso classical and fingerstyle guitarists can play fast single note runs with fingers but never as fast as most virtuoso flatpickers of the same level. It is far easier for a pick style guitarist to obtain the chops for fast single note runs.

A guitarist that I really love, Tommy Emmanuel, does it all. Finger-style with thumb pick, finger style with a pick and fingers and flat picking. It all depends on the song. James Hill has that single note with a pick down and the fingerstyle as well. The later developed after his Langley stint where they played mostly, if not always with a pick.

I have uke arrangements that I practice using all three techniques and each sounds different. But I have never seen anyone approach the single note speed of flat pickers using picks. Even players using a thumb pick will support the thumb pick with the index finger when doing fast single note lines treatiing it just like a flat pick.

I tell all students that technique is like money. “You want more than you will ever need to be comfortable. You don’t want to come up short going for something musically because of your technique.” You can get the technique easier than the money.

Just do all three: pick, fingers and pick with fingers and let the music determine which one you use.

I fellow I studied guitar with for many, many years is a virtuoso jazz guitarist since his early twenties. He started to expand his repertoire with classicial music and ask Andres Segevio one day. “Being a virtisio guitarist with a pick. How long would it take to get to the same level with fingerstyle?” Segevio’s reply – “Not enough lifetimes.” So he did his classicial album pick style.

So we can get good at various picking and plucking techniques. But to develope all three to a high level is a lot of work.

Some people will say that everyone is different and delevelope you own style. As far as technique that is false. Technique is what is the most bio-mechanically efficient way to pick, play fingerstyle and pick with fingers. If there is no overwhelming musicial reason to play one way or another – there IS effecient ways to play any instrument with minimimal effort and motion.

There is nothing in day-to-day life that automatically gives us good technique for playing the musicial instruments I’m familiar with. It is a learned skill.

Most instruments other than classicial guitar and definitely the uke do not have an established method to do stuff (technique). Pick guitar technique is probally not even 100 years old. Other instruments have centuries of established technique.

Michael Jordan said. “If you practice anything eight hours a day you are going to get good at it. Whether it is efficient or not.”

Throw someone in a pool that can’t swim and they might get out. Their technique won’t look pretty and they are not going to made the Olympic team. But they will probally get by.

New Ukulele Links added

Here are a few of the new links added in November and December to the Ukulele Links page.

  • Uke’s Coollink

    Inclusive ukulele lessons in London

  • FUN -Finnish Ukulele Networklink
  • Ukulele BrasilFirst Brazilian Ukulele Blog. News about Ukulele culture in portuguese. Tudo sobre a cultura do Ukulele em português.
  • Dr. UkeTheory/What Should I Practice ?Very nice lesson on learning chords: Approach To Learning Basic Chords
  • Ukulele Social Clublink – A Ning Social Network to celebrate the ukulele and the people who play them!
  • FingerstyleUke.com -videos, scores, publications and technical tips for playing the ukulele link
  • Barnkickerslink
  • Easy Ukulelelink
  • Ukulele Herolink
  • Nina Coquina Tornadic Ukulele – link
  • Finnish Ukulele Networklink
  • UKEit – l’ukulele italianolink